Ademir Corrêa’s Cinema Queerité: Gêneros e Identidades no Documentário “Paris is Burning” is an insightful exploration of one of the most powerful and culturally charged documentaries of the late twentieth century. Corrêa’s book takes Jennie Livingston’s 1990 documentary Paris is Burning as both a cinematic and social landmark, dissecting its layers of meaning to reveal how film can function as a living archive of marginalized lives. The documentary, filmed in the mid-to-late 1980s, captures the dazzling yet precarious world of New York City’s ballroom scene, a world built and sustained by Black and Latino gay men, transgender women, and drag performers who found in it a stage for self-definition and survival. Corrêa’s analysis situates this film not merely as a record of a vanished era but as a complex commentary on gender, identity, and resistance.
