When we turn to the literature of trans authorship in Brazil, we inevitably arrive at Ruddy Pinho, who in 1980 debuted on the literary scene with the poetic biographical work Eu, Ruddy. In that period Ruddy did not yet recognize herself as a woman, nor did she bring this issue explicitly to her writing, which only occurred after the publication of her second autobiography, Liberdade ainda que profana (1998), in which she celebrates her 35-year career as a hairdresser, and she identifies as a woman.
Ruddy Pinho, also known as “A Maravilhosa”, was a celebrated transgender hairdresser from Rio de Janeiro, Brazil. She was known for her work with famous clients, including Susana Vieira and Marilia Pêra. Ruddy Pinho made a significant contribution to the hairdressing industry, including creating the “lioness cut” that marked the career of singer Simone Bittencourt and was widely copied in the 1980s.
In addition to her work as a hairdresser, Ruddy Pinho was also an author and actress. She won a literary award from the National Library and appeared in the film “Navalha na Carne” by Neville de Almeida. She also appeared in the documentary “Divinas Divas” by Leandra Leal. Ruddy Pinho transitioned gender at the age of 40 while spending time in Europe. She was born in Sabinópolis, Minas Gerais, and raised in Belo Horizonte. She passed away at the age of 77.
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