A random collection of over 1910 books and audiobooks authored by or about my transgender, intersex sisters, and gender-nonconforming persons all over the world. I read some of them, and I was inspired by some of them. I met some of the authors and heroines, some of them are my best friends, and I had the pleasure and honor of interviewing some of them. If you know of any transgender biography that I have not covered yet, please let me know.
"Manantial" is the Spanish language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2021,
Akwaeke Emezi,
Nigeria,
Spanish,
"Eau douce" is the French language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2020,
Akwaeke Emezi,
French,
Nigeria,
"Zřídlo" is the Czech language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2020,
Akwaeke Emezi,
Czech,
Nigeria,
"Ferskvand" is the Danish language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2021,
Akwaeke Emezi,
Danish,
Nigeria,
"Süßwasser" is the German language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2018,
Akwaeke Emezi,
German,
Nigeria,
"Tatlisu" is the Turkish language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2021,
Akwaeke Emezi,
Nigeria,
Turkish,
"Água Doce" is the Portuguese language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2019,
Akwaeke Emezi,
Nigeria,
Portuguese,
"Zoetwater" is the Dutch language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2023,
Akwaeke Emezi,
Dutch,
Nigeria,
"Aigua dolça" is the Catalan language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2020,
Akwaeke Emezi,
Catalan,
"Sötvatten" is the Swedish language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2000,
Akwaeke Emezi,
Nigeria,
Swedish,
"Apă dulce" is the Romanian language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2019,
Akwaeke Emezi,
Nigeria,
Romanian,
"Agua dulce" is the Spanish language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2021,
Akwaeke Emezi,
Nigeria,
Spanish,
"Makeaa vettä" is the Finnish language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2021,
Akwaeke Emezi,
Finnish,
Nigeria,
"Acquadolce" is the Italian language edition of "Freshwater" by Akwaeke Emezi.
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2019,
Akwaeke Emezi,
Italian,
Nigeria,
I liked Gina Maya's review a lot, so let me quote her: "Transgender narrative this may be, but it's far removed from Western, U.S.-based definitions in spite of its primary location in the U.S. The story follows the young life of Ada, a Nigerian child who travels to America to study, but her whole life involves psychical interaction with the indigenous spirits who vie for control of her. Is Ada Ogbanje too?
By the end, she appears to embrace this self-conception as an offspring of the Universal Creator Ala, visualized as cosmic python – the source of the spring from which all freshwater comes from its mouth. Yet Ada for almost the novel's entirety is also the human, engaged in an uneasy relationship with otherworldly spirits who inhabit her mind, visualized in turn as a room of marble, perhaps not unlike the Kaaba of Mecca. The most powerful, possessive, and controlling of the spirits is Asughara, occasionally presented as Ada's pernicious alpha. At times, Asughara blocks out Ada from consciousness, either to protect or punish Ada."
2018,
Akwaeke Emezi,
English,
Nigeria,
