A random collection of over 1994 books and audiobooks authored by or about my transgender, intersex sisters, and gender-nonconforming persons all over the world. I read some of them, and I was inspired by some of them. I met some of the authors and heroines, some of them are my best friends, and I had the pleasure and honor of interviewing some of them. If you know of any transgender biography that I have not covered yet, please let me know.
Full title: "Hiding In Plain Sight: A Memoir" by Dana Abbott.
Dana Abbott’s Hiding in Plain Sight: A Memoir is not the kind of book you simply read and set aside; it’s the kind that lingers, whispering reminders of courage and authenticity long after you close the final page. What began as a simple faith-inspired gratitude journal slowly grew into a profound exploration of identity, faith, and perseverance. For Dana, journaling was not merely an act of reflection, but a lifeline, a framework she clung to both before and after her transition. Through words that feel both intimate and universal, she invites readers to examine their own lives, to peel back the layers of fear and expectation, and to ask the most human question of all: who am I, really?
The memoir serves as more than a personal testimony. It’s a call to action, a mirror held up to society’s unrelenting pace and the individuals left gasping for air in its wake. Dana’s story reaches out to those who have been told to shrink themselves to fit within the limits of others’ comfort. She writes for anyone who has ever lived according to someone else’s script, lost in the chaos of unspoken doubts and unanswered questions. The book gently urges readers, especially LGBTQ+ youth and adults, to begin their own self-analysis, to rediscover what might have been buried under years of conformity. Rediscovery, Dana suggests, is not a single moment but a lifelong process, one of the most valuable and genuine parts of our journey on this Earth.
2025,
Dana Abbott,
English,
Original title: "Diálogo das Bonecas" (Dialogue of the Dolls) by Jovanna Baby Cardoso da Silva.
In 1992, in the heart of Rio de Janeiro, a groundbreaking book titled Diálogo das Bonecas (Dialogue of the Dolls) emerged as a symbol of resistance, language, and identity. Written by Jovanna Baby Cardoso da Silva, one of Brazil’s most important trans and travesti activists, the book represented far more than a linguistic curiosity. It was the codification of a dialect born on the margins, a language created by travestis to communicate, protect themselves, and affirm their existence in a world that sought to erase them. The work was published by ASTRAL, the Associação de Travestis e Liberados, which was founded in the same year and recognized as the first association of travestis in the world. Both the organization and the book marked the birth of a new era in trans activism, an era in which the community began to name itself and to write its own history.
Diálogo das Bonecas was, in essence, the first dictionary of Bajubá, the secret language spoken among travestis, formed through a mixture of Portuguese, Yoruba, and words drawn from Afro-Brazilian religions such as Umbanda and Candomblé. Bajubá was a living archive of survival, humor, and rebellion. It emerged as a linguistic shield, allowing travestis to express themselves freely without fear of persecution or mockery. In a Brazil where being a travesti was often criminalized, this language became an act of coded defiance and solidarity. Jovanna Baby and her collaborators captured this living speech, transforming it into a written document that preserved the culture and ingenuity of a community that was always spoken about but rarely allowed to speak for itself.
1992,
Brazil,
Jovanna Baby Cardoso da Silva,
Jovanna Cardoso,
Portuguese,
Full title: "Dear Mom and Dad: A Conservative Transgender Memoir" by Camila Eran.
Camila Eran’s book Dear Mom and Dad: A Conservative Transgender Memoir is a raw, courageous, and deeply personal exploration of what it means to navigate life as a transgender person while maintaining a moderate, thoughtful perspective. In this memoir, Eran does not shy away from the emotional and physical realities of gender transition, laying bare her journey with honesty and clarity. She delves into the triumphs, the struggles, and the moments of profound self-discovery that have shaped her experience, offering readers an unflinching look at what it is like to live authentically in a world that often misunderstands or oversimplifies trans lives. Her reflections are as intimate as they are instructive, providing a lens into how transitioning has impacted her body, mind, relationships, and overall sense of self.
More than just a personal account, the book serves as a bridge between trans people and the people who love them. Eran writes directly to parents, family members, and friends who may be seeking clarity, understanding, or guidance. Her approach is compassionate, grounded, and deeply human, avoiding extremes, slogans, or the polarization that too often dominates discussions about gender identity. She takes care to explain her choices and experiences in a way that is accessible and relatable, inviting readers to step into her perspective and appreciate the nuance behind her decisions. Throughout the memoir, she grapples with the challenges of being a transgender person while maintaining a moderate voice, showing that it is possible to embrace one’s identity without subscribing to every prevailing ideology within the community.
2025,
Camila Eran,
English,
Original title: "Mi Cofre del Tesoro: Un viaje para encontrar la llave de mi felicidad" (My Treasure Chest: A Journey to Find the Key to My Happiness) by Paola Elena Flores.
In Mi Cofre del Tesoro: Un viaje para encontrar la llave de mi felicidad (My Treasure Chest: A Journey to Find the Key to My Happiness), Paola Elena Flores invites readers to embark on a deeply personal exploration of what it means to live authentically after years of conforming to roles imposed by family, faith, and culture. The book opens with a haunting question: what if the key to your happiness has always been in your own pocket, but you were taught to use everyone else’s? From this starting point, Paola builds a powerful metaphor that frames the entire memoir. Each of us, she suggests, is born with a treasure chest filled with joy, hope, and extraordinary moments, yet the chest is locked. Those around us, parents, teachers, and spiritual leaders, offer their keys, promising fulfillment if we follow their path. But for many, those borrowed keys fail to open the chest. Instead, they lead to guilt, shame, and a persistent feeling of not belonging.
Paola’s story is set against the backdrop of a strict fundamentalist Christian upbringing in Mexico, where faith dictated not only behavior but identity itself. From a young age, she was taught that happiness lay in obedience, sacrifice, and adherence to spiritual authority. As a youth pastor and seminary student, she tried to embody the perfect servant of God, a devoted husband and father who lived according to scripture. Yet beneath that façade was a deep and growing dissonance, an unspoken truth about who she really was. Her memoir unfolds as a battle between the person she was told to be and the person she always knew she was inside.
2025,
Mexico,
Paola Elena Flores,
Spanish,
Full title: "ULTRAVIOLET: A little outside the visible range" by Ariane Keudel.
Ariane Keudel’s book Ultraviolet: A Little Outside the Visible Range is not just an autobiography, it is a confession, a meditation, and a shimmering portrait of a woman who dared to live beyond the boundaries of what most people would call ordinary light. Translated from the original German edition Ultraviolett: Ein wenig außerhalb des sichtbaren Bereichs, this work takes the reader on a journey through the spectrum of existence, where love and loss, order and chaos, and spirituality and self-destruction blend into one luminous story. It is a book written from the edge of visibility, where reality fades into something mystical and deeply human.
Ariane begins her story with Andi, her brother, companion, and soulmate in spirit, the person whose life embodied the idea of living “a little outside the visible range.” He had a saying, “Lilac is the color of the season,” a phrase that became both a joke and a philosophy. Lilac, teetering on the border of ultraviolet, became his identity, a color just barely perceptible, one that suggests beauty, mystery, and transience all at once. Through him, Ariane introduces the central metaphor of the book: that some lives, like certain colors, are not easily seen but are nonetheless powerfully felt. Andi’s life, full of flamboyance and longing for recognition, becomes the first prism through which Ariane examines her own existence, her search for meaning, and her belief in the invisible patterns that connect us all.
2023,
Ariane Keudel,
English,
Original title: "Travestis brasileiras e escolas (da vida): cartografias do movimento social organizado aos gêneros nômades" (Brazilian transgenders and schools (of life): cartographies of the organized social movement to nomadic genders) by Adriana Sales.
The book Travestis brasileiras e escolas (da vida): cartografias do movimento social organizado aos gêneros nômades by Adriana Sales is a groundbreaking and deeply personal exploration of transgender existence and resistance in Brazil. It does not merely analyze the lives of travestis from an external academic perspective, but instead speaks from within their world, blending experience, activism, and research into a single, powerful narrative. What makes this work so important is that it was written by someone who has lived the history she describes. Adriana Sales is herself a travesti, an activist who has been part of the organized trans movement in Brazil since 1998. Her position as both an insider and a scholar allows her to approach her subject matter with sensitivity, complexity, and courage.
2020,
Adriana Sales,
Brazil,
Portuguese,
Full title: "Beyond Gender Binaries: The History of Trans, Intersex, and Third-Gender Individuals (History of the LGBTQ+ Rights Movement)" by Rita Santos.
Rita Santos’s Beyond Gender Binaries: The History of Trans, Intersex, and Third-Gender Individuals opens with a bold and compassionate mission to remind readers that gender diversity is not a modern invention but a timeless reality woven through human history. Santos dives into the deep and often overlooked history of gender variance, exploring how people across time and cultures have lived, loved, and existed beyond the narrow categories of male and female. She writes with an awareness that while societies may have used different terms, gestures, or rituals to describe gender-nonconforming individuals, the essence of those experiences has always been part of humanity’s story.
From ancient civilizations to contemporary movements, the book traces how concepts of gender have been understood and redefined. Readers are taken on a journey through societies where gender diversity was celebrated as sacred and others where it was punished or erased. Santos highlights, for example, the revered roles of two-spirit people among Indigenous nations in North America, the hijras of South Asia who have existed for centuries as a recognized third gender, and the sworn virgins of the Balkans who challenged gender norms for social or familial reasons. Through these stories, the author shows that gender variance is neither new nor rare, but an enduring thread in the fabric of human life.
2018,
English,
Rita Santos,
Original title: "Gorset, wstyd i kocie uszka. O transkobiecości" (Corset, Shame, and Cat Ears: On Transfemininity) by J. Szpilka.
“Corset, Shame, and Cat Ears: On Transfemininity” by J. Szpilka is one of those rare books that reshapes the conversation about trans lives without asking for pity or applause. It refuses to be another elegy about violence or another manifesto pleading for respect. Instead, it insists on life, messy, sensual, awkward, intellectual, and sometimes hilarious life. Szpilka’s book is a kind of reclamation, a way of saying that transfemininity does not need to justify itself through pain. It exists, it shines, it plays video games, reads theory, shops for corsets, listens to music, and dreams of better worlds.
Szpilka weaves a deeply personal yet sharply analytical narrative that draws from feminist theory, pop culture, erotic fantasy, and lived experience. There are traces of growing up in front of computer screens, of navigating shame and pleasure, and of learning to inhabit a trans life with tenderness rather than apology. The book’s rhythm moves between theory and confession, between citation and emotion. It is part essay, part love letter, part resistance text. Szpilka does not simply talk about transfemininity as a category; she performs it on the page, with all its contradictions intact. Her writing feels like an invitation to witness the texture of being trans rather than a demand to understand it.
2024,
J. Szpilka,
Polish,
Full title: "My 60 Years To Womanhood" by Cathy Heart.
Cathy Heart’s My 60 Years To Womanhood stands as a remarkable chronicle of courage, endurance, and the lifelong pursuit of authenticity. It is not simply a memoir but a testament to identity and resilience, beginning with a universal truth that transcends gender or orientation, that the world can be a hard and often hostile place for those who do not easily fit into society’s pre-drawn boxes. Through the lens of Cathy’s sixty-year journey, the reader is invited into a deeply personal and profoundly human story about living as a transgender woman in a world that has not always been kind or understanding. Her story is both an intimate confession and a quiet revolution, one that asks readers to abandon prejudice and embrace empathy.
At its heart, this book is about time, how much of it can be spent trying to live up to others’ expectations, and how precious it becomes once a person decides to live for themselves. Cathy’s journey toward womanhood is not a straight line but a long, looping path filled with uncertainty, discovery, and a stubborn kind of hope. From her earliest awareness of a dissonance between body and mind to her later years navigating a medical and social landscape that often seemed indifferent, Cathy tells her story with an honesty that is both raw and graceful. Her reflections give shape to an experience many transgender people know too well: that being Trans is not a choice, nor a condition to be “cured,” but an integral part of one’s being that deserves understanding rather than judgment.
2024,
Cathy Heart,
English,
Original title: "Amore e Rinascita di una Donna Transgender" (Love and rebirth of a transgender woman) by Nina Gaia.
“Amore e Rinascita di una Donna Transgender” by Nina Gaia is not just a story about transition or love. It is a declaration of authenticity, an emotional excavation that dares to touch the fragile and luminous corners of being human. Through her debut work, Nina opens the door to her inner world, offering readers an intimate portrait of pain, rebirth, and the search for a love that transcends gender, boundaries, and fear. Born in Milan, Nina Gaia decided to write this book after experiencing a painful personal loss that became the turning point of her life. Out of sorrow came a voice that refuses to remain silent, a narrative that transforms wounds into wisdom. She writes not only as a transgender woman but as a person reclaiming the right to be whole again, even when everything seems shattered. The title itself, “Love and Rebirth,” captures the dual movement of her story: the descent into heartbreak and the ascent toward rediscovery of self.
Nina describes how love, in its most intense and karmic form, can devastate but also awaken. Her reflections on separation and longing are not sentimental; they are lucid, almost philosophical. She explains that when a relationship ends, it can open a path to greater consciousness, as though the loss itself were an initiation. What she calls “karmic loves” are the relationships that strip us bare, exposing our shadows and fears. These experiences, though painful, are sacred lessons that guide us toward a deeper understanding of who we are and what we truly seek. Her writing invites readers to see heartbreak not as an ending but as a sacred passage.
2024,
Italian,
Nina Gaia,
Full title: "Closest Thing to Heaven: A Memoir" by Michael DaQueen.
In Closest Thing to Heaven: A Memoir, Michael DaQueen opens the curtain on the messy, magnificent, and utterly magnetic first three years of her life in New York City. This is not a polished fairy tale of instant stardom but a confessional scrapbook of heartbreaks, drag shows, and late-night subway rides, written with the rhythm of a queen who’s equal parts performer and poet. DaQueen, a self-proclaimed hopeless romantic and proud West Coast transplant, invites readers to walk beside her through the glitter-streaked chaos of becoming an artist in a city that both seduces and devours. It’s a book that doesn’t just tell a story, it dances, lip-syncs, and sometimes limps through one.
From her earliest memories of sitting beside her mother as Sex and the City played on television, little Michael dreamed of Manhattan’s magic. The skyline was her fairy godmother; the flashing lights of Broadway were her birthright. Yet before she ever set foot on those fabled streets, she was cutting her teeth in the suburbs of Los Angeles, hosting drag shows in neighborhood bars where regulars cheered from barstools and queens borrowed wigs from one another. The pandemic shut that world down, but it also cracked open the possibility of something new. When her local bar announced it wasn’t reopening, she felt a tug, part grief, part destiny. She packed up her life, said goodbye to California, and landed in New York in the spring of 2021, with a suitcase full of sequins and a heart still healing from a breakup.
2024,
Drag queen,
English,
Michael DaQueen,
"Mau Género" (Wrong Gender) is the Portuguese language version of "Mauvais genre" (Wrong Gender) by Chloé Cruchaudet.
Chloé Cruchaudet’s Mau Genre (Mauvais genre in French, Wrong Gender in English) is one of those graphic novels that stays with the reader long after the last page has been turned. Inspired by true events, it tells the remarkable story of Paul and Louise Grappe, an ordinary Parisian couple whose lives are transformed by the brutality of war, the fluidity of gender, and the search for freedom in a society bound by rigid norms. Cruchaudet’s work moves beyond historical retelling and ventures into an exploration of identity, trauma, and the unstable boundaries between love and destruction.
At its core, Mau Genre begins as a love story. Paul and Louise meet, fall in love, and marry just before the outbreak of the First World War. Their happiness, however, is short-lived. Paul is called to the front, and what he experiences in the trenches shatters any illusion of heroism or glory. Cruchaudet captures these early war scenes with a chilling economy of color and form. Black and sickly green dominate, evoking both the decay of human life and the collapse of reason. Paul’s trauma manifests in hallucinations and despair; when a comrade’s head is blown apart before his eyes, he loses all sense of self. To escape the unbearable cycle of violence, he mutilates himself, hoping for discharge. Yet the army is merciless, and Paul soon faces the prospect of being sent back. Terrified, he deserts and makes his way to Paris, where Louise hides him in their tiny room.
2023,
Chloé Cruchaudet,
Portuguese,
Full title: "Beyond Trans" by Ash Jackson.
Ash Jackson’s book Beyond Trans reads like a symphony of survival, a raw and haunting exploration of one woman’s journey through chaos, creation, and courage. It opens with the rhythms of childhood, where Ash dreamed of fame and music filled her imagination with the promise of escape. Even as a young girl growing up in a world that didn’t yet understand her, she found solace in sound. Her guitar became a refuge, a place where the noise of confusion and self-doubt could transform into melody. The early years were marked by longing and insecurity, the kind that festers quietly when you’re different but can’t yet name why. The music was her first language of truth, a way to say what words couldn’t.
As her talent blossomed, Ash built a remarkable career that would eventually stretch across more than three decades. She became one of Australia’s most versatile musicians, an accomplished guitarist, songwriter, composer, and producer. Her work spanned genres and industries: rock and pop albums, film and television scores, orchestral compositions, experimental soundscapes, and even a leap into TV production with the creation of Oz Fish TV, a quirky and successful fishing show now airing on Channel 7mate and Foxtel. Behind this artistic versatility was a perfectionist who had honed her craft with relentless discipline. She graduated from the Box Hill Institute of Performing Arts with an Advanced Diploma in Music Performance and a Bachelor of Music in composition, collecting awards along the way for academic excellence and compositional brilliance. On paper, it all looked like triumph. But Ash’s story is a reminder that the brightest spotlight often casts the darkest shadow.
2024,
Ash Jackson,
Australia,
English,
Original title: "Papillon: Né garçon. Devenue femme. Élue Miss Trans" (Butterfly: Born a boy. Became a woman. Voted Miss Trans) by Louïz and Florence Bouté.
“Papillon: Né garçon. Devenue femme. Élue Miss Trans,” co-written by Louïz and Florence Bouté under the direction of Frédéric Veille, is a moving autobiographical work that reads like both a confession and a celebration. The title alone, with its image of the butterfly finally taking flight, captures the book’s essence: transformation, liberation, and beauty born of struggle. It is the story of Louïz, born Jovani Louise on the island of La Réunion, who knew from childhood that her reflection held a truth she could not yet live. The book traces her journey from a shy boy who preferred dancing to football to a confident woman crowned Miss Trans France, an artist who sings, dances, choreographs, and inspires.
The story begins with a striking image: a New Year’s Eve party, a costume, and a mirror. Jovani’s friends, in the playful spirit of the holiday, suggest he dress as Rihanna. As he looks at his reflection in the mirror, the laughter dies down, and something profound happens. The disguise becomes revelation. In that reflection, Jovani recognizes herself, the woman who has always been there, waiting to be acknowledged. That instant marks the birth of Louïz, though the road ahead will still be long and hard.
2023,
Florence Bouté,
French,
Louïz,
Full title: "Transgender Woman: A journey of identity" by Racheal Fickarz.
Racheal Fickarz’s book Transgender Woman: A Journey of Identity offers a profound exploration of what it means to embrace oneself fully and embark on the path of self-discovery. The narrative is both heartfelt and insightful, capturing the courage required to confront societal expectations, personal fears, and the unknown challenges of transitioning. This is not a guide that simply lists steps or medical procedures; it is a testament to the resilience, perseverance, and authenticity that define the transgender experience.
Each chapter immerses the reader in the emotional landscape of a transgender woman, highlighting the moments of doubt, triumph, and self-realization that accompany such a transformative journey. The author emphasizes that transitioning encompasses far more than physical changes; it involves cultivating mental well-being, nurturing emotional stability, and navigating social dynamics in a world that often misunderstands or stigmatizes transgender identities. Through vivid anecdotes and reflective passages, Fickarz provides a framework that respects the individuality of each woman’s path, ensuring that readers feel seen and supported at every stage of their own journey.
2024,
English,
Racheal Fickarz,
Original title: "Mein Leben im wirklichen Ich: Trans*gedanken in Trans*gedichten" (My Life in the Real Me: Trans* Thoughts in Trans* Poems) by Kerstin F. Wolff.
Kerstin F. Wolff’s book Mein Leben im wirklichen Ich: Transgedanken in Transgedichten emerges as a poignant continuation of her literary and personal journey, following her earlier work Mein Weg zum wirklichen Ich, which chronicled her transformation from the hidden life of a man to the visible existence of a woman.
In this new volume, the narrative focus shifts from the turmoil and uncertainty of transition to a sense of arrival, of having reached a state of self-recognition and authenticity. The texts offer reflections on a life now lived openly, moving beyond fear, doubt, and despair to embrace memory, introspection, and political consciousness. Through her poems and essays, Wolff explores the nuanced realities of trans existence, allowing both personal and social dimensions to intertwine, creating a rich tapestry of thought and experience. Her work delves into the intersections of identity and society, highlighting how the personal is inherently political and how being a trans person shapes one’s perspective on the world.
2020,
German,
Kerstin F. Wolff,
Full title: "She/Him/Us: A Psychiatrist's Search for Her Daughter in the Transgender Sea" by Lisa Bellot.
In her striking and deeply personal memoir She/Him/Us: A Psychiatrist’s Search for Her Daughter in the Transgender Sea, Dr. Lisa Bellot confronts one of the most emotionally charged issues of our time through the lens of both a psychiatrist and a mother. The book chronicles her journey as she navigates the turbulent waters of her daughter’s sudden identification as transgender, a revelation that forced her to question not only her medical training but also her most intimate instincts as a parent. What emerges is a gripping and reflective narrative that challenges prevailing assumptions about gender identity, the mental health profession, and what it truly means to love and protect one’s child.
Dr. Bellot’s story begins with the shock and confusion that many parents of trans-identified teens experience. As a seasoned psychiatrist with two decades of clinical experience in California, she believed she had seen nearly everything the human mind could present. Yet when her own teenage daughter announced she was trans, Bellot found herself facing an entirely new emotional and moral frontier. She describes the moment with raw vulnerability, not as a detached clinician but as a mother whose world has tilted off its axis. Her initial instinct was not to affirm, but to pause and understand. The question that drives the memoir is not simply whether her daughter is transgender, but how a parent can respond when every cultural, medical, and social current demands unquestioning affirmation while her inner voice insists that something deeper needs to be explored.
2025,
English,
Lisa Bellot,
Original title: "Es ist nie zu Spät: Transition" (It's never too late: Transition) by Marie-Luisa Quolke.
Marie-Luisa Quolke’s book Es ist nie zu spät: Transition (It’s Never Too Late: Transition) is more than a memoir. It is a declaration of courage, truth, and hard-won freedom. Born in Berlin in 1960, Marie-Luisa entered the world as a boy, though deep inside she knew from an early age that something was profoundly out of place. Her story is not one of sudden realization, but of decades spent in silence, misunderstanding, and quiet endurance. For nearly fifty years, she lived in a body that did not reflect her soul, following the path expected of her, while suppressing the woman within. It took her a lifetime to claim her identity, and in doing so, she proved that authenticity has no expiration date.
The book offers an intimate account of what it means to live with this deep internal dissonance, and how society’s unpreparedness can compound that pain. Growing up in a time when being transgender was barely understood, Marie-Luisa had no words to describe what she was feeling. Like many of her generation, she carried her secret into adulthood, shaping her life around the expectations of others rather than the truth of her own heart. Her writing captures this tension vividly, allowing readers to feel the weight of those lost years. Yet the book is not a lament. It is a triumphal act of self-expression, a testimony that it is never too late to step into one’s true self, no matter how long the journey has been.
2023,
German,
Germany,
Marie-Luisa Quolke,
Full title: "You Don't Know My Story" by Whitney Sealey (Destiny Star).
Whitney Sealey’s You Don’t Know My Story, published under her pen name Destiny Star, stands as both a novel and a manifesto of authenticity. It is a deeply intimate yet universally resonant narrative that chronicles the life of Whitney, a transgender woman in her early thirties whose story is told with emotional precision and spiritual grace. More than a simple tale of transition, it is a meditation on truth, resilience, and the human capacity to reclaim one’s narrative in a world that often refuses to listen.
The book opens with Whitney’s morning ritual, a seemingly ordinary moment that soon reveals the core of her character. She looks into the mirror not out of vanity but out of reverence for survival. Her reflection becomes a sacred space, where she acknowledges the woman she fought to become. The world around her may still stumble over her existence, but Whitney refuses to shrink herself for anyone’s comfort. She moves through her days as a luxury brand consultant, gliding through polished offices and glamorous events, yet beneath the elegance lies a lifetime of scars. Sealey juxtaposes Whitney’s outer poise with her inner history, allowing readers to see that confidence, for Whitney, is not effortless, it is earned, shaped through pain and persistence.
2025,
Destiny Star,
English,
Whitney Sealey,
Original title: "Cinema Queerité: Gêneros e Identidades no Documentário "Paris is Burning"" (Cinema Queerité: Genders and Identities in the Documentary "Paris is Burning") by Ademir Corrêa.
Ademir Corrêa’s Cinema Queerité: Gêneros e Identidades no Documentário “Paris is Burning” is an insightful exploration of one of the most powerful and culturally charged documentaries of the late twentieth century. Corrêa’s book takes Jennie Livingston’s 1990 documentary Paris is Burning as both a cinematic and social landmark, dissecting its layers of meaning to reveal how film can function as a living archive of marginalized lives. The documentary, filmed in the mid-to-late 1980s, captures the dazzling yet precarious world of New York City’s ballroom scene, a world built and sustained by Black and Latino gay men, transgender women, and drag performers who found in it a stage for self-definition and survival. Corrêa’s analysis situates this film not merely as a record of a vanished era but as a complex commentary on gender, identity, and resistance.
2021,
Ademir Corrêa,
Paris Is Burning,
Portuguese,
Full title: "Two Lives, One Soul: A Transgender Memoir of Identity of Gender, Loss, and Redemption" by Shearee K.
Two Lives, One Soul: A Transgender Memoir of Identity, Loss, and Redemption by Shearee K is a profoundly intimate and courageous account of what it means to live between worlds, to lose oneself, and to finally emerge whole. The memoir captures the delicate balance between despair and hope, exploring the emotional landscape of a person who has lived not one, but two lives within a single soul. Through a voice that is both poetic and unflinchingly honest, Shearee invites the reader to witness her evolution from pain to power, from invisibility to authenticity, and from loss to redemption.
The book begins by revealing the internal conflict of a person growing up in a world that often refuses to understand or accept difference. Shearee writes with a clarity that cuts through pretense, describing the experience of living a life shaped by others’ expectations while her true identity remained buried beneath fear and uncertainty. Her story moves through the formative years of self-doubt, societal rejection, and the relentless pursuit of belonging. Each chapter feels like a conversation with the soul itself, asking who we are when everything familiar is stripped away and how one learns to rebuild when the world demands conformity.
2025,
English,
Shearee K,
Original title: "Mein Leben als Transfrau: Eine Autobiografie" (My Life as a Trans Woman: An Autobiography) by Sasha Trifunovic and Anja Thyssen.
The autobiography Mein Leben als Transfrau: Eine Autobiografie by Sasha Trifunovic and Anja Thyssen is not just a life story but a deeply human exploration of what it means to search for authenticity in a world that often misunderstands difference. It is a story of courage, exile, and self-discovery told through the voice of a woman who has had to navigate multiple worlds, each with its own kind of judgment. Sasha’s journey begins in the home of Serbian immigrants who came to Germany searching for a better life. As a child, she already sensed she was different from the other boys around her, though she could not yet name what that difference was. Dressing up as a woman felt natural to her, even joyful, but to those around her it was dismissed as a quirk, an amusing habit that she would eventually outgrow. For a while, childhood was a safe place where curiosity could exist freely. But adolescence arrived like a storm, and with it came the cruelty of peers, the watchfulness of adults, and the first taste of rejection.
2024,
German,
Mein Weg in den richtigen Körper,
Sasha Trifunovic,
Full title: "I Know Who I Am: The Ballad of a Transgender Woman" by Samantha Rose and Christine Matheny.
When Samantha Rose opens her book I Know Who I Am: The Ballad of a Transgender Woman, she takes the reader into the raw depths of memory, pain, and transformation. The story begins when she was fourteen, at a time when her world was suddenly fractured by tragedy. Her best friend, Amanda Carson, disappeared on April 16, 2005. Amanda was later found dead in a trash barrel behind the Galesburg mall, an image so haunting that it becomes a defining shadow in Samantha’s life. Amanda had been the first person to truly see her, to understand her difference and encourage her to be herself. The loss of that friendship marked the beginning of Samantha’s awareness of the cruelty and fragility that can exist in life. In those same dark days, she also learned that her mother had cancer, a revelation that sent her spiraling into a storm of depression and uncertainty. The combination of grief, fear, and confusion pushed her inward, where she began to grapple with questions of identity and purpose that would echo through her entire life.
At home, the situation was far from comforting. Samantha’s relationship with her father was a source of constant pain. He never accepted her differences, never tolerated her sensitivity or her refusal to conform to his expectations of masculinity. He was, in her own words, a monster wrapped in human flesh, someone who abused his wife and children with a cruelty that left lasting scars. The household was a battlefield, where survival often depended on silence and endurance. For Samantha, this experience of relentless violence became both a source of trauma and a crucible of strength. It showed her how destructive intolerance could be, but it also taught her resilience, and it planted within her a determination to live authentically, even when authenticity came with a price.
2025,
Amanda Carson,
Christine Matheny,
English,
Samantha Rose,
Original title: "Trans-formarnos" (Transform ourselves) by María Arboleda Muriel.
Trans-formarnos, written by María Arboleda Muriel, is a powerful and deeply moving exploration of identity, self-knowledge, and the courage to live authentically. The book transcends the boundaries of a simple personal narrative and becomes an act of resistance against ignorance and fear of difference. Through her honest and intimate storytelling, Arboleda Muriel opens a window into the inner and outer transformation that accompanies a gender and sexual transition, allowing readers to witness the emotional, spiritual, and social dimensions of such a profound journey. Her writing radiates sincerity, vulnerability, and a strong desire to build bridges between understanding and acceptance, reminding readers that the human experience is as diverse as it is beautiful.
At its core, Trans-formarnos challenges the phobia of the unknown by exposing what has long remained hidden or misunderstood. The author approaches the topic of gender identity not from a distant academic standpoint but from lived experience, making the book a heartfelt and relatable guide. She speaks of the complex relationship between body and self, showing how sometimes living in one’s own skin can feel like inhabiting an unfamiliar place. Yet, rather than portraying this as a source of despair, Arboleda Muriel transforms it into an opportunity for growth and reconciliation, both with oneself and with society. Her words reveal that identity is not a fixed concept, but a continuous process of transformation, learning, and acceptance.
2024,
Colombia,
María Arboleda Muriel,
Spanish,
Full title: "Becoming Luna: A Chronicle of Shadow and Light" by Luna Carper.
In the first few pages of Becoming Luna: A Chronicle of Shadow and Light, Luna Carper describes her former name, Brian, as “a heavy coat she was expected to wear.” It is an image that lingers long after the chapter ends, the weight of that coat symbolizing all the expectations, assumptions, and constraints placed upon her before she could even begin to understand who she truly was. What begins as a simple account of childhood discomfort quickly transforms into something extraordinary: the awakening of a soul determined to live in truth, even if that truth must be forged in the fires of digital worlds, shadowed dreams, and unrelenting self-discovery.
Carper’s memoir is not a typical transition story. It is a spellbook of becoming, written at the intersection of technology, magic, and identity. Each chapter feels like an incantation, casting light on the moments when Luna’s reality began to shift. From battling a childhood allergy that hinted at something deeper to discovering freedom within the pixelated landscapes of World of Warcraft, Luna finds pieces of herself in every digital echo. In those virtual realms she meets her first loves and encounters the mentors who see beyond her glamour spell, the digital façade she wore to hide her inner truth.
2025,
English,
Luna Carper,
Original title: "Als transidente Frau bin ich von Gott YAHUWAH geliebt: Ich wurde als transidente Frau geboren!" (As a transgender woman, I am loved by God YAHUWAH: I was born a transgender woman!) by Adelheid Sonnenschein.
Adelheid Sonnenschein’s book Als transidente Frau bin ich von Gott YAHUWAH geliebt: Ich wurde als transidente Frau geboren! (As a transgender woman, I am loved by God YAHUWAH: I was born a transgender woman!) is a deeply moving testimony of faith, identity, and resilience. It is not a work of fiction or detached philosophy but a living confession, a chronicle of survival and divine connection told by a woman who has faced the cruelties of ignorance yet found an unshakable belief in the love of her Creator. In her book, Adelheid invites readers into the spiritual and emotional landscape of a transgender woman who has endured violence, misunderstanding, and rejection, but has never lost her sense of being loved by God.
She begins by confronting one of the most persistent misconceptions in society, namely the belief that transgender people are somehow “not right in the head.” To her, such prejudice only proves that many people have never truly engaged with the topic. Too often, society’s judgment blinds it to the suffering that trans people carry in silence, a suffering that can lead to depression and even suicide. Transphobia, she writes, adds another layer of pain, breaking not just spirits but bodies, and in her case, the violence was literal. She recalls being beaten so severely that she was left close to hospitalization, an experience that captures the brutality that far too many trans women endure.
2024,
Adelheid Sonnenschein,
German,
Full title: "Fly on the Wall: The Story of a Courageous Trans Woman – From Prison to Post" by Ariyanna Lampley and Samari The Goddess.
“If you could be a fly on the wall and see what I see…” begins the haunting and defiant premise of Fly on the Wall: The Story of a Courageous Trans Woman – From Prison to Post by Ariyanna Lampley and Samari The Goddess. There is very little information available about the book, and beyond its brief description on Amazon, it seems to exist as one of those hidden gems waiting to be discovered. What we do know is that it tells the story of Samari the Goddess, a transgender woman who has survived the brutality of the prison system and emerged with her dignity, her artistry, and her voice intact.
The book’s title alone captures something both poetic and unsettling. To be a fly on the wall is to witness without being seen, to observe the unspoken truth of things. In Samari’s case, that truth is the reality of being a transgender woman behind bars, a world of fear, violence, and survival. Incarcerated transgender women often live in a space that denies their very identity. Many are placed in men’s prisons, where they face harassment and sexual assault. Basic medical care, including access to hormones or gender-affirming treatment, is often withheld. Even something as simple as being called by one’s chosen name can become a daily battle.
2025,
Ariyanna Lampley,
English,
Samari The Goddess,
Original title: "Meine zwei Leben: Als Junge geboren – als Frau im Bundestag" (My two lives: Born a boy – as a woman in the Bundestag) by Valerie Wilms.
Valerie Wilms’ book Meine zwei Leben: Als Junge geboren – als Frau im Bundestag (My Two Lives: Born a Boy – as a Woman in the Bundestag) is both a personal memoir and a political statement that challenges the direction of modern gender politics in Germany. Written with striking candor, it is the first time that Wilms, a former member of the Bundestag, publicly shares her life story and her experience as a transgender woman in politics. More than a simple autobiography, the book raises difficult questions about identity, authenticity, and the balance between personal freedom and social responsibility.
Born in 1954 in Hannover as Volker Wilms, Valerie Wilms built a distinguished career long before entering politics. She studied mechanical engineering at the University of Hannover and earned her doctorate in engineering from the University of the Bundeswehr in Hamburg. Her professional path was firmly rooted in technical expertise rather than activism. She worked in design engineering and later as a technical inspector for the railway industry before becoming a lecturer at the Dresden University of Applied Sciences. This solid technical background formed the foundation of her political career, which began when she joined the Green Party in 2005.
2025,
German,
Germany,
Valerie Wilms,